This miniature work presents the Pañca Buddha within a composition inspired by ancient manuscript covers, rendered through traditional Paubha aesthetics. Each of the Five Tathāgatas embodies a distinct wisdom (Jñāna), transforming the five defilements into paths of enlightenment.
Shrestha integrates refined ornamental motifs and a balanced linear format, evoking the intimacy of sacred manuscripts. The inclusion of vāhanas for each Buddha adds a layered symbolic dimension, suggesting presence through association rather than direct emphasis.
Originally from Tokha, Rabi Shrestha began his artistic journey with an early passion for drawing, later refining his practice through formal studies at Sirjana College and Lalitkala Campus. Deeply influenced by traditional paubha artists, he works with discipline while developing his own visual language.
