This silver lotus shifts from ornament to process, embodying the Buddhist principle of Anitya (impermanence). While silver suggests purity and permanence, it inevitably oxidizes, darkens, and transforms over time. This material change becomes central to the work, making the passage of time visible.
Rooted in Dhyāna Bhāvanā and Vipaśyanā practice, the piece reflects the transient nature of all phenomena. The lotus, rather than fixed purity, becomes a living meditation on change, where even the precious is subject to decay and transformation.
Aspiring artists in the field of traditional art, Dibeek Shakya and Krisha Maharjan collaborate on a shared practice rooted in continuity and discipline. Their joint work reflects a commitment to preserving traditional methods while engaging deeply with the subject, carrying forward the lineage through thoughtful interpretation.
